...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view of missing information
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.
image above: detail view of missing information
...Nature of Things, 2011
hand-embossed paper, wood, acrylic spray paint
dimensions variable
At first glance, this work appears to be a random assortment of clustered rectangles. However, upon closer inspection the composition reveals itself to be a mere sliver of an invisible, symmetrical whole. Each individual frame contains a partial map of a symmetrical whole. The map subtly invites the viewer to understand their relationship to the invisible whole by virtue of being a witness to the missing information on each unique map. This system enables each version of the piece to adapt and respond to the site in which it is installed. A single cluster of frames provides enough information to understand the work.